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DESIGN… plus

chair-featured

Guest Review by Ms. Katherine Wilkinson

100 Chairs in 100 Days: Martino Gamper
Shown at: RMIT Design Hub Gallery – Melbourne Inner City

The genesis of this exhibition was a project instigated by London-based Martino Gamper. Collecting discarded and unused chairs he reassembled one chair per day for 100 days. The result is a cacophony of intriguing, beautiful, alarming and poetic objects that comment on the many ideas and roles of the ‘chair’. Individually and collectively they draw us into his creative response to the discipline and limitations of the project. It highlights Gamper’s ingenuity in recycling of materials, shapes and purposes.

Gamper fabricated a new 100th chair in a single day for the Melbourne installation with only found materials and led RMIT students and local designers in a ‘transforming limitations into possibilities’ workshop.
Exhibition closes on April 9th 2016
The collection is on loan from Nina Yashar, Nilufar Gallery. The Melbourne presentation is curated by Fleur Watson and is part of the Virgin Australia Melbourne Fashion Festival Cultural Program Project Series.
See more at: http://designhub.rmit.edu.au/exhibitions-programs/-100-chairs-in-100-days-martino-gamper

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Featured Artist

Avec Pleasure loves highlighting the works of the talented and inspired artists who are working with new approaches to contemporary art practice.

I have known MERRICK BELYEA for almost twenty years and this month I am highlighting the wonderful body of works ‘ANTHROPOCENE LANDSCAPES’ which he is about to shown in Sydney at the MAY Gallery. I strongly recommend a visit to this show while it is up. You won’t be disappointed. His work is both poetic and insightful.

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Avec Pleasure presents Merrick Belyea

‘Merrick Belyea’s paintings are deeply focused on the curious human appetite for destruction. Environmental concerns are central to his recent paintings, referring to a potential for devastation, pointing to a future of mechanical scarification of the landscape. Paring back the veneer of previously prepared paint layers reveal the detritus of process and the fragility of surface.’

Merrick Belyea focuses on the curiously human appetite for destruction in his work. Environmental concerns are central to recent paintings that refer to a potential for devastation and offer a portent to future mechanical scarification of the landscape. Paring back the veneer of previously prepared paint layers reveal the detritus of process and the fragility of surface.’

11 - 29 March 2020. MAY SPACE, Waterloo, Sydney (Opening drinks Saturday 14 March, 3-5pm) www.mayspace.com.au. If you are interested in finding out more please send us an email at: [email protected]

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