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SFMOMA – Reopened

SFMOMA-2It is hard to believe that it has been three years now since the SFMOMA has been closed to allow them to undertake a major new extension and redevelopment. The original SFMOMA opened in 1935, later it built a post-modern building designed by Mario Botta. This building was quickly outgrown, however, it had a prime real estate location in downtown SF that was kept. Eventually the block of land which adjoined was purchased and a new extension planned.

The exterior of the older building has been left unaltered however, the interior has been cleverly designed to merge the two buildings seamlessly. It is a delight to wander through looking at inspiring art and experiencing the design features of the new building. It’s complimentary to aesthetic viewing. Norwegian architectural firm ‘Spohetta’ have designed a sensational new building to function as a joined extension.

The exterior has been left alone, instead, wedged around it is a distinctive new building of seven floors. It’s white rippled façade has been inspired by the waters of the bay surrounding San Francisco and the rolling in of the city’s characteristic fog.

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Featured Artist

Avec Pleasure loves highlighting the works of the talented and inspired artists who are working with new approaches to contemporary art practice.

I have known MERRICK BELYEA for almost twenty years and this month I am highlighting the wonderful body of works ‘ANTHROPOCENE LANDSCAPES’ which he is about to shown in Sydney at the MAY Gallery. I strongly recommend a visit to this show while it is up. You won’t be disappointed. His work is both poetic and insightful.

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Avec Pleasure presents Merrick Belyea

‘Merrick Belyea’s paintings are deeply focused on the curious human appetite for destruction. Environmental concerns are central to his recent paintings, referring to a potential for devastation, pointing to a future of mechanical scarification of the landscape. Paring back the veneer of previously prepared paint layers reveal the detritus of process and the fragility of surface.’

Merrick Belyea focuses on the curiously human appetite for destruction in his work. Environmental concerns are central to recent paintings that refer to a potential for devastation and offer a portent to future mechanical scarification of the landscape. Paring back the veneer of previously prepared paint layers reveal the detritus of process and the fragility of surface.’

11 - 29 March 2020. MAY SPACE, Waterloo, Sydney (Opening drinks Saturday 14 March, 3-5pm) www.mayspace.com.au. If you are interested in finding out more please send us an email at: [email protected]

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